novel虚拟货币

① 需要轻之国度的轻币，想用人民币1：200换（帮充Q币可以，财付通转也可以），有的请加QQ471117767，标注轻币

最新热门小说是要轻比的，但是热门小说也就是翻译完之后的小说3个月之后就不要轻比了，可以到小说分享区去下

② 求寒蝉小说

http://www.lightnovel.cn/bbs/viewthread.php?tid=26488&extra=page%3D1-----轻之国度，私人论坛

下载有：

鬼影
棉流
崇杀（上）
崇杀（下）http://www.lightnovel.cn/bbs/viewthread.php?tid=40809&extra=page%3D1
暇溃
http://www.lightnovel.cn/bbs/viewthread.php?tid=43781&extra=page%3D1

因为版权等原因，即便我可以拿到txt文档，我也不愿意直接贴给lz，请理解。

以上链接需要注册，并且需要一定虚拟货币.....

但是轻国的论坛并不难混，如果不停把发帖的魅力转换为轻币，加上维持50枚轻币以上就可以每6小时点击一次广告获得25轻币.......而且这个论坛对于轻小说爱好者来说是值得上的一个bbs....所以......

③ 100币，求翻译加解释。

你好，整句话是“没有具体的证据去证实”的意思。
on which to draw 中on后面可能省略了一个 the thing，the thing省略不影响句子结构。
因此应该可以看成是一个省略的定语从句

④ 请高手帮忙翻译一下我论文的中文摘要，非常非常感谢。

Literature is the language used to build a world of the arts, literature and language problems have long been a literary family concerns, but also a great research value of the subject. Based on the concept of modern language, based on a comprehensive study of the method, the difference in style from the perspectives of the language of literature, poetry in-depth study of language and language novels of the differences between the two, as we further study the language of literature to help.

Introction to answer two questions: Why study the language of literature? Why the difference from the genre to examine the difference between literary language. Literature from the perspective of an intermediary, as defined in the language of poetry and stories Language. The language of poetry and fiction to explore the scope of the extension of the language, not limited to the structure of the text, but the proction phase of the literary language, literature and language of the time are included in the solution phase of the study.

Chapter language poetry and fiction in the formation stage of the language difference. The genre has a huge invisible provisions, the author has chosen a novel or poetry, it means that the choice of an entirely different way of words; At the same time, the author of a genius is bound to a specific context, and give full play to their creativity To strive to break through the "genre" of the cage so that they continue to develop and intensify, transform into new forms of art to create a miracle.

Chapter language poetry and fiction version of the external characteristics of the language difference. Learn from Wang Bi's "words, such as Italy," point of view, in the light garden of the British version of the four-level theory, words such as Italy and constitutes a multi-dimensional organic composition of literary texts. Into the difference between external and internal characteristics of the features of the difference between the two aspects to explore. Chapter III of this chapter and is focused on this article.

This chapter from the visual, auditory differences, the length of the three different aspects of the text in two languages to grasp the "statement" this level of distinction.

Chapter III of the language of poetry and stories Language text of the internal characteristics of the difference. In our view, the narrative fiction from the poetry of their "poetic" tradition of independence, and the narrative is lyrical language fiction and poetry of the essential differences between languages. The essential difference from the start, language and poetry from the novel image of the state of different languages, the different structure of the text, language awareness of the different aspects of the three discussed.

Chapter IV of the language of poetry and stories Language Reading in the phase of the difference. Text must be interpreted in accordance with the norms of genre. Reading the reader must first have awareness of the genre, using the methods of reading poetry reading poetry, fiction reading by way of reading novels. Reading poetry to make full use of imagination to grasp the image, waved to imagine the wings to appreciate the mood to create poetry, poetry would need God. Reading the novel to start with figures closely. Reading the novel also need to imagine, but need to read the novel "imagined reality" and the poetry reading of "non-realistic to imagine" a clear difference.

The development of the Western Literary Theory has been more or less from the author - work - readers in the process, the current rise of cultural studies. We are against this background that an integrated approach, the above three areas to explore, in-depth attempt to grasp the language of poetry and fiction inherent differences in language and literature through the language of the "prototype" of the literary language have a better understanding .

⑤ 求电影烈焰焚币的原著小说

这是某看过原著小说的人在某论坛留的言：

这两天正在看Burnt Money的原著小说。因为电影是根据真实事件改编，小说也算是个途径了解整个事件的发生经过。不过看了真是大失所望啊！！！

奉劝没有看过小说的人最好不要去看，不然真是失望的很. Angel 本人在现实中并没有和Nene死在最后的一幕中，他不但没有死，而且还逃过了死刑，原因是他头脑里的声音说明他有精神分裂。最后更是让人气结，他居然死于一次监狱暴动，被狱警开枪镇压时打死。哎，不知道Nene离开之后是什么支撑他活着的。。。。

小说主要是叙述事件，没有写太多两个人之间的感情。一些剧情和电影有出入。而且小说的作者是采访了很多的当事人，翻查了很多当时的资料，包括法庭的纪录。因此小说所描写的大概就是事件的原貌。

看来还是电影拍的好啊。加入了那么多细腻的感情，以及演员的演绎，使人为之动容。

————————————————————————

烈焰焚币的详细内容：

英文片名：Burnt Money
中文译名：烈焰焚币
导 演：马切洛·平尼若 Marcelo Pineyro
编 剧：Marcelo Figueras
Ricardo Piglia(novel)
主 演：Eardo Noriega .... Ángel
Leonardo Sbaraglia .... El Nene
Pablo Echarri .... El Cuervo
Leticia Brédice .... Giselle
Ricardo Bartis .... Fontana
Dolores Fonzi .... Vivi
Carlos Roffé .... Nando
Daniel Valenzuela .... Tabaré
Héctor Alterio .... Losardo
Claudio Rissi .... Relator
Luis Ziembrowsky .... Florian Barrios
Harry Havilio .... Carlos Tulian
Roberto Vallejos .... Parisi
Adriana Varela .... Cantante Cabaret
类 型：动作/剧情/惊悚/犯罪
级 别：Argentina:18 / Chile:18 / France12 / Spain:18 / USA:R / South Korea:18
国 别：France / Spain / Argentina / Uruguay
片 长：125分钟
地 区：阿根廷
语 言：西班牙语
色 彩：彩色
年 份：2000

获奖状况：获得阿根廷影评协会最佳改编剧本奖
西班牙戈雅奖最佳外国影片
哈瓦那电影节最佳摄影、录音奖

1965年。阿根廷。一堆银纸与一对银行大盗。绰号“大细孪”的兰尼和安仔，行事缺一不可，形影不离。一次打劫作案，安仔受伤，为要逃过追捕，二人惟有展开一段逃亡之旅，可是二人的关系亦于逃亡时决裂……

阿根廷曾经夺得票房冠军的同性恋电影：《烈焰焚币》（PlataQuemada）。这部电影以阿根廷六十年代两个专门打劫银行的盗匪真实故事为基础，表现了这些打家劫舍、杀人不眨眼的江洋大盗的侠骨柔情，淋漓酣畅、荡气回肠地展示了阳刚之美。

安桀尔和纳呢是一对盗匪，两人一样的英俊酷帅，外人都以为他们是双胞胎，但他们不是骨肉相连的兄弟，而是生死相依的恋人。安杰尔是一个虔诚的天主教徒，有一天，他在冥冥中听到神的召唤，对这种逾越宗教规范的爱情充满了犯罪感，开始疏离纳呢，两人感情出现危机。紧接着，两兄弟接到一个打劫银行的计划。安杰尔为了斩断纳呢对他藕断丝连的情怀，纳呢则希望通过再一次合作能挽回安杰尔的心，所以两人都接受并全力投入了这场打劫行动。在逃亡过程中，伴随着对生死未卜的忐忑，是两人对爱的不断追求和拒绝。绝望的纳呢在影院、公厕流连，跟男人做爱，甚至去嫖妓女，企图忘却安杰尔，但是“抽刀断水水更流”。最后他们反而在这个妓女告发下被军警包围。两人突围不成，最后把打劫来的百万美元通通烧光，两人在烈焰中相拥自尽，画面极为壮美。电影意味深长地显示男女之爱充满奸诈，而只有同性之间的爱才最忠诚。

这部片其实是传统的商业片，其成功之处在于他们运用传统的警匪片形式包装同性恋题材，打破了同性恋／异性恋的二元分界，堂堂正正在主流电影市场上上演，而不是象那些美国同性恋电影那样，一边鼻涕一把泪一把地诉说同性恋不被主流社会“理解”的可怜，另一边却又力图宣扬一种跟主流社会价值观念格格不入的施虐／受虐的所谓同性恋美学（gayness），自我设限，划地为牢，因而始终走不出顾影自怜的同性恋圈子，如此恶性循环，把同性恋解放运动引进商业盈利的死胡同。