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Publish: 2021-05-18 02:38:44
1. Catalogue
, originally trained in the name of Venetian painter Bellini. After him, Titian, another Venetian master, studied arts with him. Later, e to their fault, the teacher angrily drove them out of the studio. The long-term cooperation between Joel and Titian may be related to the deep friendship he formed when he was young. Titian, who was younger, also regarded this elder martial brother as his teacher. Among the great Venetian painters, Tintoretto is the only Venetian painter, because he was born in Venice. It is said that his life is very simple, he has no hobbies, and he has always been indifferent to happiness and wealth. At ordinary times, he is immersed in art and works all day long for the design of pictures. Some documents mentioned that when he painted in Venice, he never cared about the remuneration, and the price was not high. He only charged for the pigment and canvas. His life is more peaceful and there are no big ups and downs. The most glorious period of Tintoretto's art was in his last 30 years. At this time, his works are not only large in quantity and high in quality, but also have a wide range of subjects. As for the story of Christian legend, the painter has a unique way of expression. Based on the feelings of real life, he often narrates the legendary events in real artistic language. In order to strengthen the tragic power, he is good at making use of the magnificent dramatic conflicts to give people shocking appeal. Another master of realism in Venetian school is Paul Veronese. He used to be a student of Titian. His real name was Paul carjari. He was born in Verona, so he was called veronaise. His father was a sculptor, so he was influenced by art earlier. His first teacher was Antonio bagil, a Verona painter. Later he came to Rome and was deeply influenced by Michelangelo's murals. In 1553, he came to Venice. The painting style of Venice made him change the bright silver gray tone in his early days, and became enthusiastic about the warm color of luxurious banquets in secular life. The highest ideal of the Venetian School of painting is to fully show all the good enjoyment of the present life. Humanist aesthetics is a kind of aesthetics of human liberation, which is bred in the general desire of the masses. Background Venice painting school is a painting school that appeared in the late Renaissance of Italy. It represents Italy new Xingcheng
the miracle of San Marco
Venice school
network business card
the rise and development of the city. Due to the decline of Florence City, many Florentine artists came to Venice, which promoted the rapid prosperity of Venice's painting art and formed its own division and characteristics. This city, which is close to the sea and is especially rich because of its prosperous business, not only provides rich economic conditions for artists, but also makes people more emancipated and cheerful in mind, but also emphasizes the pursuit of pleasure. The trend of thought of humanism includes many factors (positive and negative), and it is often necessary to learn from the classical culture. Venetian writers and artists seem to prefer the factors that emphasize the sense of enjoyment in the Late Greek and "Hellenistic" period. Pagan themes and female nudity are popular among painters. These nudes are not as ethereal as Botticelli's, nor as majestic as Michelangelo's, but more sensual. Although their works are not divorced from religion, they are more secular. The characters in the paintings have rich skin and warm human feelings. Their works pay attention to the gorgeous colors and vivid shapes, and the interesting atmosphere of background and foreground characters can be skillfully combined. Since the 12th century, Venice has been the largest commercial city and international trade center in northern Italy, and has gained an independent status politically. However, Venice's Renaissance cultural development is behind Florence's. From the late 15th century, Venetian painting school graally formed, and its prosperous period was in the 16th century. Venetian School of painting adopted the oil painting techniques from Netherland earlier. It was better than Florence School of painting in the use of color and formed its own style, which had a far-reaching impact on European painting from the 17th to 18th century. After 1405, Venice ruled Paa, a famous cultural city in northern Italy, and the Renaissance culture of Florence was introced into Venice through Paa. In the mid-15th century, Florentine painters F. F. Lippi, P. uchelo and A. del castaneo all worked in Paa. From 1443 to 1453, the sculptor Donatello lived here and completed his greatest masterpiece, the horse riding statue of gatamelata, which had a great influence on the development of local new art. Padova proced a. mantenia, the first Renaissance painter in northern Italy. He had a close relationship with the Bellini family, the founder of the Venetian School of painting, and became the son-in-law of J. Bellini, which promoted the rapid growth of the Venetian School of painting by absorbing advanced achievements. The true founder of Venetian School of painting is g. Bellini, J. Bellini's youngest son. On the basis of accepting the influence of mantenia and studying the classical style, he also studied the oil painting techniques from the southern Italian painter Antonio damesina. He used exquisite colors, which made the Venetian school become one of its own and compete with the Florentine school. At the beginning of the 16th century, G. Bellini's long-term artistic practice not only proced a series of excellent works with Venetian characteristics, but also cultivated a new generation, which made the Venetian School of painting present a brilliant and prosperous situation, among which the most famous ones were Giorgione and Titian. Giorgione is good at landscape painting, his works are full of poetic flavor and meaningful demeanor; Titian, on the other hand, made full use of the color characteristics of the Venetian School of painting, with gorgeous paintings and strong figures, setting a new model in Western art. Along with them is Belini's favorite student, as well as Sebastiano delpiumbo. In his later years, he worked in Rome and spread the art of Venetian school. In addition, they were accompanied by V. kalpacho. He was a student of G. Bellini's brother. He developed his master Nai's skill in describing grand scenes and showed the Venetian life style with highly realistic skills. He was very popular with the public. In the late 16th century, the Renaissance art in Florence and other parts of Italy graally declined, but the Venetian school continued to prosper, procing two masters, Tintoretto and P. Veronese. Tintoretto intends to integrate the art of Titian and Michelangelo, with magnificent composition and gorgeous colors; Veronese, on the other hand, paid attention to the decorative effect while painting vividly, and won with the luxury scenes and rich costumes. At this time, the Venetian School of painting flourished, which was related to the city's political independence. The bright colors and happy atmosphere of Venetian School of painting were also loved by the public in Western Europe, and it was always the most popular in Western art from the 17th century to the 18th century. Its emphasis on color and attention to the feeling effect also has a great inspiration for all the artists with romantic tendency in the future. Tiziano Vecellio (1490-1576) is a representative of the Venetian School of painting in the heyday of the Italian Renaissance. As a student of Giovanni Bellini and influenced by Giorgione, he inherited and developed the painting art of Venetian School under the guidance of humanism in his youth, and pushed the application of color, shape and brushwork of oil painting to a new stage. The religious paintings "tax payment silver" and "the Virgin Mary ascends to heaven" reflect the moral concepts of the new bourgeoisie The mythological works such as Eros day, Dionysus and Princess Ariadne are full of joyful mood and exuberant vitality. However, after Charles V granted him the title of nobility in 1533, he painted the works of "Spain saved the religion" and "Philip II dedicated his newborn Prince don Ferdinand to the God of victory". His portraits can reveal the inner world of the characters. The middle-aged painting style is meticulous, steady and powerful, and the color is bright; In his later years, he was bold and unconstrained, simple and varied in tone. In terms of oil painting techniques, it has a great influence on the development of European oil painting in the later period. Giorgione Giorgione - (1477-1510) Giorgione was the first true Venetian painter and the forerunner of easel painting. In his early years, he studied under Bellini, the founder of Venice School of painting, and later developed his teacher's achievements. His works are novel in composition, soft in color, rich in light and shade, and harmonious in scene and characters. This style of painting directly influenced Titian and later Venetian painters. Among the Venetian School of painting, Giorgione was the first outstanding painter in the golden age. From his masterpiece sleeping Venus, it is very obvious that the author shows a kind of elegant secular taste through the protection of Venus, a kind of unity of beautiful harmony between human body and nature, and a kind of sublimation of human body beauty to natural beauty and artistic beauty to life beauty. Women's body is described here delicate and specific; The posture is relaxed and natural; The skin is plump and soft; The lines are smooth and elegant. The beautiful and harmonious female body and the unlating hills, mountains, villages, houses, tree crowns, colorful clouds and the curves, arcs and broken lines of bedding folds form a harmonious echo and contrast. All of the pictures skillfully form a beautiful, comfortable, comfortable and quiet visual symphony. Although the author of the landscape part of the painting died before he finished it (the landscape part was finished by his younger martial brother Titian), from the composition consciousness of the painting and from other works (such as thunderstorm, pastoral ensemble, etc.) that the author has completed, his younger martial brother Titian can completely judge that the author tries to take nature as the embodiment of the natural beauty of human body Harmony is an important part of beauty. Just like this painting, the natural state of silence at sk seems to be Venus sleeping in a dream. I don't know whether Venus has melted into the embrace of nature or nature has melted into Venus' dream... This may be the original intention of the original author Joel Chone. Tintoretto Tintoretto, the last master of Venetian painting school in the 16th century, is regarded as the "brave defender" of Fine Arts in the heyday of the Renaissance by art historians. Tintoretto was born in Venice in 1518 and died in Venice in 1594. Therefore, it is regarded as the most authentic Venetian painter in the Venetian School of painting. His original name was Jacob robusty. Because his father was a Dyer, people called him "Tintoretto", which means "little Dyer". Since he was a child, he loved painting and often daubed on the walls and floors of the dyeing workshop, so his father sent him to Titian's studio to study art. Titian was the most outstanding and greatest painter of Venetian school at that time, but he did not find the intelligence of this student. Because Tintoretto didn't obey the teacher's instruction and showed impetuous behavior, Titian didn't like his character very much and once drove him back
, originally trained in the name of Venetian painter Bellini. After him, Titian, another Venetian master, studied arts with him. Later, e to their fault, the teacher angrily drove them out of the studio. The long-term cooperation between Joel and Titian may be related to the deep friendship he formed when he was young. Titian, who was younger, also regarded this elder martial brother as his teacher. Among the great Venetian painters, Tintoretto is the only Venetian painter, because he was born in Venice. It is said that his life is very simple, he has no hobbies, and he has always been indifferent to happiness and wealth. At ordinary times, he is immersed in art and works all day long for the design of pictures. Some documents mentioned that when he painted in Venice, he never cared about the remuneration, and the price was not high. He only charged for the pigment and canvas. His life is more peaceful and there are no big ups and downs. The most glorious period of Tintoretto's art was in his last 30 years. At this time, his works are not only large in quantity and high in quality, but also have a wide range of subjects. As for the story of Christian legend, the painter has a unique way of expression. Based on the feelings of real life, he often narrates the legendary events in real artistic language. In order to strengthen the tragic power, he is good at making use of the magnificent dramatic conflicts to give people shocking appeal. Another master of realism in Venetian school is Paul Veronese. He used to be a student of Titian. His real name was Paul carjari. He was born in Verona, so he was called veronaise. His father was a sculptor, so he was influenced by art earlier. His first teacher was Antonio bagil, a Verona painter. Later he came to Rome and was deeply influenced by Michelangelo's murals. In 1553, he came to Venice. The painting style of Venice made him change the bright silver gray tone in his early days, and became enthusiastic about the warm color of luxurious banquets in secular life. The highest ideal of the Venetian School of painting is to fully show all the good enjoyment of the present life. Humanist aesthetics is a kind of aesthetics of human liberation, which is bred in the general desire of the masses. Background Venice painting school is a painting school that appeared in the late Renaissance of Italy. It represents Italy new Xingcheng
the miracle of San Marco
Venice school
network business card
the rise and development of the city. Due to the decline of Florence City, many Florentine artists came to Venice, which promoted the rapid prosperity of Venice's painting art and formed its own division and characteristics. This city, which is close to the sea and is especially rich because of its prosperous business, not only provides rich economic conditions for artists, but also makes people more emancipated and cheerful in mind, but also emphasizes the pursuit of pleasure. The trend of thought of humanism includes many factors (positive and negative), and it is often necessary to learn from the classical culture. Venetian writers and artists seem to prefer the factors that emphasize the sense of enjoyment in the Late Greek and "Hellenistic" period. Pagan themes and female nudity are popular among painters. These nudes are not as ethereal as Botticelli's, nor as majestic as Michelangelo's, but more sensual. Although their works are not divorced from religion, they are more secular. The characters in the paintings have rich skin and warm human feelings. Their works pay attention to the gorgeous colors and vivid shapes, and the interesting atmosphere of background and foreground characters can be skillfully combined. Since the 12th century, Venice has been the largest commercial city and international trade center in northern Italy, and has gained an independent status politically. However, Venice's Renaissance cultural development is behind Florence's. From the late 15th century, Venetian painting school graally formed, and its prosperous period was in the 16th century. Venetian School of painting adopted the oil painting techniques from Netherland earlier. It was better than Florence School of painting in the use of color and formed its own style, which had a far-reaching impact on European painting from the 17th to 18th century. After 1405, Venice ruled Paa, a famous cultural city in northern Italy, and the Renaissance culture of Florence was introced into Venice through Paa. In the mid-15th century, Florentine painters F. F. Lippi, P. uchelo and A. del castaneo all worked in Paa. From 1443 to 1453, the sculptor Donatello lived here and completed his greatest masterpiece, the horse riding statue of gatamelata, which had a great influence on the development of local new art. Padova proced a. mantenia, the first Renaissance painter in northern Italy. He had a close relationship with the Bellini family, the founder of the Venetian School of painting, and became the son-in-law of J. Bellini, which promoted the rapid growth of the Venetian School of painting by absorbing advanced achievements. The true founder of Venetian School of painting is g. Bellini, J. Bellini's youngest son. On the basis of accepting the influence of mantenia and studying the classical style, he also studied the oil painting techniques from the southern Italian painter Antonio damesina. He used exquisite colors, which made the Venetian school become one of its own and compete with the Florentine school. At the beginning of the 16th century, G. Bellini's long-term artistic practice not only proced a series of excellent works with Venetian characteristics, but also cultivated a new generation, which made the Venetian School of painting present a brilliant and prosperous situation, among which the most famous ones were Giorgione and Titian. Giorgione is good at landscape painting, his works are full of poetic flavor and meaningful demeanor; Titian, on the other hand, made full use of the color characteristics of the Venetian School of painting, with gorgeous paintings and strong figures, setting a new model in Western art. Along with them is Belini's favorite student, as well as Sebastiano delpiumbo. In his later years, he worked in Rome and spread the art of Venetian school. In addition, they were accompanied by V. kalpacho. He was a student of G. Bellini's brother. He developed his master Nai's skill in describing grand scenes and showed the Venetian life style with highly realistic skills. He was very popular with the public. In the late 16th century, the Renaissance art in Florence and other parts of Italy graally declined, but the Venetian school continued to prosper, procing two masters, Tintoretto and P. Veronese. Tintoretto intends to integrate the art of Titian and Michelangelo, with magnificent composition and gorgeous colors; Veronese, on the other hand, paid attention to the decorative effect while painting vividly, and won with the luxury scenes and rich costumes. At this time, the Venetian School of painting flourished, which was related to the city's political independence. The bright colors and happy atmosphere of Venetian School of painting were also loved by the public in Western Europe, and it was always the most popular in Western art from the 17th century to the 18th century. Its emphasis on color and attention to the feeling effect also has a great inspiration for all the artists with romantic tendency in the future. Tiziano Vecellio (1490-1576) is a representative of the Venetian School of painting in the heyday of the Italian Renaissance. As a student of Giovanni Bellini and influenced by Giorgione, he inherited and developed the painting art of Venetian School under the guidance of humanism in his youth, and pushed the application of color, shape and brushwork of oil painting to a new stage. The religious paintings "tax payment silver" and "the Virgin Mary ascends to heaven" reflect the moral concepts of the new bourgeoisie The mythological works such as Eros day, Dionysus and Princess Ariadne are full of joyful mood and exuberant vitality. However, after Charles V granted him the title of nobility in 1533, he painted the works of "Spain saved the religion" and "Philip II dedicated his newborn Prince don Ferdinand to the God of victory". His portraits can reveal the inner world of the characters. The middle-aged painting style is meticulous, steady and powerful, and the color is bright; In his later years, he was bold and unconstrained, simple and varied in tone. In terms of oil painting techniques, it has a great influence on the development of European oil painting in the later period. Giorgione Giorgione - (1477-1510) Giorgione was the first true Venetian painter and the forerunner of easel painting. In his early years, he studied under Bellini, the founder of Venice School of painting, and later developed his teacher's achievements. His works are novel in composition, soft in color, rich in light and shade, and harmonious in scene and characters. This style of painting directly influenced Titian and later Venetian painters. Among the Venetian School of painting, Giorgione was the first outstanding painter in the golden age. From his masterpiece sleeping Venus, it is very obvious that the author shows a kind of elegant secular taste through the protection of Venus, a kind of unity of beautiful harmony between human body and nature, and a kind of sublimation of human body beauty to natural beauty and artistic beauty to life beauty. Women's body is described here delicate and specific; The posture is relaxed and natural; The skin is plump and soft; The lines are smooth and elegant. The beautiful and harmonious female body and the unlating hills, mountains, villages, houses, tree crowns, colorful clouds and the curves, arcs and broken lines of bedding folds form a harmonious echo and contrast. All of the pictures skillfully form a beautiful, comfortable, comfortable and quiet visual symphony. Although the author of the landscape part of the painting died before he finished it (the landscape part was finished by his younger martial brother Titian), from the composition consciousness of the painting and from other works (such as thunderstorm, pastoral ensemble, etc.) that the author has completed, his younger martial brother Titian can completely judge that the author tries to take nature as the embodiment of the natural beauty of human body Harmony is an important part of beauty. Just like this painting, the natural state of silence at sk seems to be Venus sleeping in a dream. I don't know whether Venus has melted into the embrace of nature or nature has melted into Venus' dream... This may be the original intention of the original author Joel Chone. Tintoretto Tintoretto, the last master of Venetian painting school in the 16th century, is regarded as the "brave defender" of Fine Arts in the heyday of the Renaissance by art historians. Tintoretto was born in Venice in 1518 and died in Venice in 1594. Therefore, it is regarded as the most authentic Venetian painter in the Venetian School of painting. His original name was Jacob robusty. Because his father was a Dyer, people called him "Tintoretto", which means "little Dyer". Since he was a child, he loved painting and often daubed on the walls and floors of the dyeing workshop, so his father sent him to Titian's studio to study art. Titian was the most outstanding and greatest painter of Venetian school at that time, but he did not find the intelligence of this student. Because Tintoretto didn't obey the teacher's instruction and showed impetuous behavior, Titian didn't like his character very much and once drove him back
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