1. From the sound to improve
2. It's easy to do. Go to some 400 phone users with large business volume, or visit logistics, tourism, finance, insurance and other companies. There's a chance.
3. The intersection of Baiyun road and Tuanjie street may not be far from Chayuan hotel
bus line: 133, the whole journey is about 9.9km
1. Walk about 160m from Baotou Station to Zhanqian Road Station
2. Take 133, pass 20 stops, and then arrive at jinnianhua bathing center station
3. Get off and ask about it
4. Many kinds of dramas gather together, resulting in competition, which is prominently reflected in the competition between Huaya and Huaya. The emergence of local opera is bound to compete with Kunqu Opera, which is in a positive position. Moreover, the more prosperous the local opera is, the more threat it poses to Kunqu Opera. According to records, the audience in Beijing "only likes Qin Sheng, Kuai and Yi. They are tired of listening to Wu Sao and listening to Kunqu Opera, and often disperse" (preface to Xu Xiaochang's dream fate). The competition is very fierce in Beijing. The Qing government adopted various repressive measures to protect the orthodox status of Kunqu Opera, and rejected the prohibition of Huabu's performances, which intensified the dispute over Huaya. In nearly a hundred years, after three fierce battles, Huabu finally won
5. Baotou where there are schools to learn DJ. It seems that there is no professional training for DJ
we have students from Baotou and Hohhot. It's not far away. If you want to learn, you'd better consider other places
the instry is good.
6. Castle Peak to ask Nalin! Kunqu Opera goes to mouse street! East River to queye city!
7. The original appearance of Yuan zaju's singing is no longer visible. We can only learn its basic situation from historical records, music scores, northern opera in Kunqu Opera and opera cultural relics. Generally speaking, it has the following characteristics. ① As far as its music style is concerned, the former generation of musicians agreed that it has a strong, vigorous and vigorous style. The formation of this music style is closely related to the composition of the following tunes. With the seven tone scale, more than four degrees up and down jump, and has its common characteristics of tone, form the high and low ups and downs of melody characteristics. This is related to the tone and intonation of northern languages. The rhyme of the opera words is based on the northern phonetics, which can be divided into three tones: Ping, Shang and qu (entering tone is incorporated into the three tones respectively). Each fold is a set of songs, and all the tunes used in the opera use one rhyme. Its rhythm is simple and tight, with the effect of "promoting the place to see the tendons". The use of interlinkages between sentences is flexible and free; The bottom plate is often used at the end of the sentence to enhance the momentum of the singing. In addition, the combination of Ci and Qu with more words and less cavity is easy to highlight the sentiment of CI. As a result of the comprehensive use of these factors, it formed the characteristics of the singing. Its plate is relatively free, the number of plates is indefinite, and the position of the lower plate is not fixed. There are three kinds of beat: Sanban, Yiyan Yiban and Sanyan Yiban, whose speed is relatively faster than that of Nanqu. ② The structure of musical form -- the combination of Qupai and Qupai. Yuan zaju generally consists of four fold and one wedge, each fold uses one set of music, and each play has four sets of music to reflect the consistency of music structure and drama structure. The structure of its form is complex and rigorous, and there are basically three forms of the main part of its form: the form of winding orders connected with different forms of its form; The two kinds of Qupai are intertwined and the same Qupai is changed repeatedly. These forms are allowed to be modified in accordance with the cavity. ③ The use of GongDiao. There are 17 palace tunes in the song theory of Nan an in Yuan Dynasty. Later Zhou Deqing said that there are two tunes in the palace. Nowadays, there are only five palace tunes and four tunes in cunyuan Za scripts, namely Zhenggong, Zhonglu, Nanlu, Xianlu, Huangzhong, dashhitiao, shuangdiao, ShangDiao and Yuediao. The Yuan zaju opera has four fold, and each fold uses a palace tune (the wedge is the same as the front and back fold). According to the existing Beiqu music score, the significance of the classification of GongDiao is not in the aspect of elevation and mode. The category of sets is really called GongDiao. This kind of "Gong Diao" classification still has the similar tonal range and general tonal range of the same kind of music score, or indicates that there are some common tonal properties in the same kind of music score, so it can provide convenience for creating new tunes or making use of the original music score and for actual singing. The new techniques of breaking through the norms of GongDiao, such as borrowing GongDiao and committing GongDiao, also enrich and expand the expressiveness of Qupai. ④ Singing form and art. Yuan zaju was influenced by various GongDiao, and its whole play was composed of the main characters and a large section of singing to depict the main characters or narrate the events. In addition to the lead singer, other roles generally only have the guest. As a result, on the one hand, it can give full play to the role of singing art in opera and improve the singing level of the lead singer; But on the other hand, the secondary role can't play its e role in singing, which also limits the emotional communication with the main role. Therefore, later plays also arranged some singing for the minor characters. He has accumulated rich experience in the singing art of zaju, such as singing method, style, rhythm, singing, rhyme, etc., which is briefly described in the book on singing written by Nan Zhi'an of Yuan Dynasty. ⑤ Instrumental accompaniment. Many people think that the main accompaniment instrument of Beiqu is Xiansuo, but only flute, drum and board can be found in the existing classic boxes, murals and brick carvings, which are roughly the same as the gujia part of Tang Dynasty and the GuDi part of Jiaofang part of Song Dynasty. Therefore, some people think that the use of string instruments such as Zheng, Pipa and Sanxian in the accompaniment of opera singing is later. These problems need further study. In 1276, the army of the Yuan Dynasty commanded troops to the south of the Yangtze River and occupied Lin'an (now Hangzhou), the capital of the Southern Song Dynasty. In 1278, the governor's office of the two Zhejiang provinces was set up in Hangzhou. In the 21th year of Zhiyuan Dynasty (1284), Zhejiang Province was established, with Hangzhou as the province. During this period, a large number of northerners came to this newly conquered land. According to the biography of Cui Yu in the history of the Yuan Dynasty, by 1283, the population of Nanliu had reached 150000 households, more than one tenth of the total number of households in the north at that time. Moreover, in the Yuan Dynasty, the trend of southward migration never stopped. In Hangzhou, the capital of the Southern Song Dynasty, the population from the north is bustling. In his poem "send Professor Zhang back to Bianliang", Chen Lu said: "don't go back to the spring breeze. Hangzhou is half from Bianliang." Anyatang drama, which flourished in the north, also came to the South with the army of the southern expedition and the population of the southern migration. Rich Jiangnan provided fertile soil for the growth of Zaju and attracted a large number of northern Zaju writers and artists. Famous writers of Zaju in the north, such as Guan Hanqing, Ma Zhiyuan, Bai Pu, Shang Zhongxian, Li Wenwei, Dai Shanfu, Hou Zhengqing and so on, come in droves, or travel, or live, or become officials, to continue their Zaju activities. Famous actors such as zhulianxiu also came to Yangzhou, Hangzhou and other places to perform. As for many composers and poets, such as Hu Zhilin, Wang Yun, Xu Yan, Xian Yushu, Hou Kezhong, Lu Zhi, etc., also came to the South and had close contact with playwrights and artists. At that time, the star river was brilliant and famous artists gathered, so the focus of Zaju shifted to the Southern Drama circle with Hangzhou as the center. The southern route of Zaju was mainly along the Grand Canal and the Yangtze River waterway. In addition to Hangzhou, Yangzhou, Jiankang (Nanjing), Pingjiang (Suzhou), Songjiang (now Shanghai) and other famous cities in the south of the Yangtze River are also places where dramas gather. At that time, the army of Southern expedition and the population of Southern migration constituted the first audience of zaju. Zaju, with its artistic form of combining rap, singing and dancing, and performance, and its generous musical tone, has made people in the South fresh and fresh. On the other hand, in the Northern Song Dynasty, Hangzhou was the first state in the southeast. In the Southern Song Dynasty, as the capital of the Southern Song Dynasty, population mobility and politics promoted the convergence of the northern and southern languages, forming a unique "Mandarin" system. Therefore, the native Southern residents were not unfamiliar with the phonology of the Central Plains. This makes the drama based on the northern language quickly accepted and loved by Hangzhou audience. In a twinkling of an eye, the numerous GouLan washes in Hangzhou have become the performing places of northern zaju. Good conditions and opportunities, in turn, attract a large number of dramatists and troupes to come south to seek development. Hangzhou and Da (Beijing) became the activity centers of southern and Northern drama circles respectively. They echoed each other and complemented each other, ushering in the heyday of Yuan Dynasty drama.
8.
bus line: Line 4 → m221, the whole journey is about 3.8km
1. Take line 4 from Futian port, pass 2 stations, and reach the exhibition center station
2. Walk about 180m to the exhibition center subway station
3. Take m221, pass 2 stations, and reach Futian high-speed railway station
9. The amount of fraud is 60000, so it is difficult to get a probation
legal link: Article 266 of the criminal law, whoever swindles public or private property, if the amount is relatively large, shall be sentenced to fixed-term imprisonment of not more than three years, criminal detention or public surveillance, and shall also, or shall only, be fined; If the amount is huge or if there are other serious circumstances, he shall be sentenced to fixed-term imprisonment of not less than three years but not more than 10 years and shall also be fined; If the amount is especially huge or if there are other especially serious circumstances, he shall be sentenced to fixed-term imprisonment of not less than 10 years or life imprisonment and shall also be fined or have his property confiscated. Where there are other provisions in this law, such provisions shall prevail.