The central idea of Beijing Opera
Publish: 2021-05-19 05:31:04
1.
Through the introction of "horsewhip" and "appearance" in the performance of Beijing opera, the interesting talk of Beijing Opera expresses the author's love for Beijing Opera and his pride in the traditional culture of the motherland
Peking Opera is the quintessence of Chinese art, which is different from costume TV drama. There are Sheng, Dan, Zheng and Chou in Beijing opera. Each character's singing, pace and performance are different, and they pay great attention to the performance of psychological activities
for example, in the TV series, Mu Guiying is in charge of the battle, riding on a high horse and grabbing a villain with a shot, while in the Beijing opera, Mu Guiying is in charge of riding a horse with a belt in his hand. This is the difference between drama and TV drama
{rrrrrrr}
extended materials:
paragraph main idea:
horse whip
Part I (natural paragraph 1): writing horse whip to perform on the Beijing opera stage instead of horses
The second part (2-3 natural paragraphs): introce and list other virtual props in Beijing operathe second natural paragraph: introce the virtual props used in shoe soles sewing
the third natural paragraph: write about the virtual props used in the banquet - wine pot and wine cup
the first part (1-2 natural paragraphs): the "quiet" performance on the stage of Peking Opera
the first natural paragraph: the static appearance of Peking Opera
natural paragraph 2: the artistic effect of static appearance in Peking Opera
the second part (the third natural paragraph): the performance of "moving" on the stage of Peking Opera
2.
The main emotion expressed in Beijing Opera funny talk is the author's love for the traditional art of Beijing opera, as well as our motherland's traditional culture, and a kind of pride in our traditional Chinese quintessence. This work is very excellent, and people feel very identity
Peking Opera is a very important traditional culture in our country. The interesting talk of Peking Opera also shows us our Chinese traditional culture
3.
Through the introction of "horsewhip" and "appearance" in the performance of Beijing opera, the interesting talk of Beijing Opera expresses the author's love for Beijing Opera and his pride in the traditional culture of the motherland
Peking Opera is the quintessence of Chinese art, which is different from costume TV drama. There are Sheng, Dan, Zheng and Chou in Beijing opera. Each character's singing, pace and performance are different, and they pay great attention to the performance of psychological activities
for example, Mu Guiying in the TV series, riding on a high horse, catches a villain and shoots him. In the Beijing opera, Mu Guiying shakes a belt in his hand, which means riding on a horse. This is the difference between drama and TV drama
{rrrrrrr}
extended materials:
paragraph main idea:
horse whip
Part I (natural paragraph 1): writing horse whip instead of horse to perform on Beijing opera stage
the second part (2-3 natural paragraphs): introce and list other virtual props in Beijing opera
the 2nd natural paragraph: introce the virtual props needle and thread used in shoe sole
the third natural paragraph: write the virtual props used at the banquet - wine bottle and wine cup
the first part (1-2 natural paragraphs): write about the "quiet" performance on the stage of Beijing opera
natural paragraph 1: the static appearance of Peking Opera
natural paragraph 2: the artistic effect of static appearance in Peking Opera
the second part (the third natural paragraph): writing about the "dynamic" performance on the stage of Peking Opera
4. A small horsewhip can vividly show the Hongda scene of riding, and a wonderful appearance can make the dynamic and static scenes vivid, fascinating and magical. This is the quintessence of China - Beijing opera, which has unique artistic charm. Today, let's follow the footsteps of the author Xu Chengbei and see the wonders of Beijing Opera<
open the online app to see more high-definition pictures
Legend display
1. About the author:
researcher of Xu Chengbei Opera Research Institute, born in Chongqing on October 20, 1942, grew up in Beijing, studied in the Department of Opera Literature of China Academy of opera. For many years, he has focused on the art and background of Peking Opera. Mei Lanfang and the 20th century, Peking Opera and Chinese culture and other works, a total of more than 40. He often goes into the practice of opera and folk background to explore, and often publishes articles in various newspapers at home and abroad, winning many awards
2. Word Preview:
polyphonic words: (Qu, Jue, Fen Fresh)
Legend display
synonyms:
inheritance - inheritance embarrassment - embarrassment Decoration - peculiar Decoration - special fear - fear of highlighting - highlighting virtual - fictional control - control
Antonyms:
lose - get tradition - modern beauty - ugly giant - small freedom - restraint, high - low tension - relax virtual - real embarrassment - nature
Collocation:
huge horse
virtual props
wonderful art
excellent martial arts
word development: idioms with the word "ran"
heart beating, naturally formed, and completely new
common trend, leisurely and safe, big things appear in order, suddenly stop completely different
word discrimination:
difference and connection between "inheritance" and "inheritance":
picture Display
3. Explanation of words:
picture display
4. Text analysis:
(1) paragraph main idea:
"horsewhip"
Part I (natural paragraph 1): write horsewhip to perform on the stage of Beijing Opera instead of horses
the second part (2-3 natural paragraphs): introce and list other virtual props in Beijing opera
the second natural paragraph: introce the virtual props used in shoe sole - sewing
the third natural paragraph: write about the virtual props used in the banquet - wine pot and wine cup< The first part (1-2 natural paragraphs): the performance of "quiet" on the stage of Peking Opera
the first natural paragraph: the static appearance of Peking Opera
natural paragraph 2: the artistic effect of static appearance in Peking Opera
the second part (the third natural paragraph): the performance of "moving" on the stage of Peking Opera< (2) analysis of knowledge points:
in the first natural paragraph of horse whip: why only use horse whip instead of real horse on the stage of Beijing opera? What's the effect< br />< Answers & gt; Because the circle of the stage is too small, the horses can't gallop; The real horse appears on the stage, and the actors are afraid that it will lose control. The specific and graceful posture of the rider can be clearly displayed by using the horsewhip. At the same time, the virtual horsewhip gives the actor endless freedom of performance< The second natural paragraph uses the rhetorical device of exemplification:
& lt; Answers & gt; The author uses the specific virtual props needle and thread to illustrate the use and performance of virtual props on the stage of Beijing opera
in the first natural paragraph of the show, there is another peculiarity in Peking Opera... Who will "kill" the other party The rhetorical devices of exaggeration are used< br />< Answers & gt; This sentence uses exaggerated rhetoric, through the different performance of the people on and off the stage, highlights the fierce competition scene
what is the function of the dash in "the action of the character stops suddenly - both sides..."? What does this sentence say< br />< Answers & gt; Dash is the function of supplementary explanation. This sentence describes a strange phenomenon: when the belligerents fight fiercely, the action stops suddenly. The vivid explanation increases the sense of picture and gives readers unlimited imagination
the first sentence of the second natural paragraph is "that's a reasonable question, but that's exactly the beauty of Peking Opera." Is a transitional sentence: play a connecting link between the preceding and the following, leading to the role of the following text
in the third natural paragraph, the description and analysis of the action in "the party who can win...": this sentence describes the performance of the warring parties by grasping the actions of "running", "staying", "swinging round" and "playing", and vividly expounds the characteristics of "dynamic appearance"
5. Main idea:
by introcing the two forms of performance in Peking Opera, the paper expresses the author's love for Peking Opera and his pride in the traditional culture of the motherland
6. Structure diagram:
Legend display
7. Writing characteristics:
this paper is concise in structure, clear in organization, rigorous in argument and convincing. In this paper, the author describes the peculiarities of Peking opera through examples and citations, and makes the argument more specific and persuasive by citing specific examples. The use of citations can enhance the persuasiveness and authority of the argument, enhance the argumentation and interest, and attract readers' interest in reading.
open the online app to see more high-definition pictures
Legend display
1. About the author:
researcher of Xu Chengbei Opera Research Institute, born in Chongqing on October 20, 1942, grew up in Beijing, studied in the Department of Opera Literature of China Academy of opera. For many years, he has focused on the art and background of Peking Opera. Mei Lanfang and the 20th century, Peking Opera and Chinese culture and other works, a total of more than 40. He often goes into the practice of opera and folk background to explore, and often publishes articles in various newspapers at home and abroad, winning many awards
2. Word Preview:
polyphonic words: (Qu, Jue, Fen Fresh)
Legend display
synonyms:
inheritance - inheritance embarrassment - embarrassment Decoration - peculiar Decoration - special fear - fear of highlighting - highlighting virtual - fictional control - control
Antonyms:
lose - get tradition - modern beauty - ugly giant - small freedom - restraint, high - low tension - relax virtual - real embarrassment - nature
Collocation:
huge horse
virtual props
wonderful art
excellent martial arts
word development: idioms with the word "ran"
heart beating, naturally formed, and completely new
common trend, leisurely and safe, big things appear in order, suddenly stop completely different
word discrimination:
difference and connection between "inheritance" and "inheritance":
picture Display
3. Explanation of words:
picture display
4. Text analysis:
(1) paragraph main idea:
"horsewhip"
Part I (natural paragraph 1): write horsewhip to perform on the stage of Beijing Opera instead of horses
the second part (2-3 natural paragraphs): introce and list other virtual props in Beijing opera
the second natural paragraph: introce the virtual props used in shoe sole - sewing
the third natural paragraph: write about the virtual props used in the banquet - wine pot and wine cup< The first part (1-2 natural paragraphs): the performance of "quiet" on the stage of Peking Opera
the first natural paragraph: the static appearance of Peking Opera
natural paragraph 2: the artistic effect of static appearance in Peking Opera
the second part (the third natural paragraph): the performance of "moving" on the stage of Peking Opera< (2) analysis of knowledge points:
in the first natural paragraph of horse whip: why only use horse whip instead of real horse on the stage of Beijing opera? What's the effect< br />< Answers & gt; Because the circle of the stage is too small, the horses can't gallop; The real horse appears on the stage, and the actors are afraid that it will lose control. The specific and graceful posture of the rider can be clearly displayed by using the horsewhip. At the same time, the virtual horsewhip gives the actor endless freedom of performance< The second natural paragraph uses the rhetorical device of exemplification:
& lt; Answers & gt; The author uses the specific virtual props needle and thread to illustrate the use and performance of virtual props on the stage of Beijing opera
in the first natural paragraph of the show, there is another peculiarity in Peking Opera... Who will "kill" the other party The rhetorical devices of exaggeration are used< br />< Answers & gt; This sentence uses exaggerated rhetoric, through the different performance of the people on and off the stage, highlights the fierce competition scene
what is the function of the dash in "the action of the character stops suddenly - both sides..."? What does this sentence say< br />< Answers & gt; Dash is the function of supplementary explanation. This sentence describes a strange phenomenon: when the belligerents fight fiercely, the action stops suddenly. The vivid explanation increases the sense of picture and gives readers unlimited imagination
the first sentence of the second natural paragraph is "that's a reasonable question, but that's exactly the beauty of Peking Opera." Is a transitional sentence: play a connecting link between the preceding and the following, leading to the role of the following text
in the third natural paragraph, the description and analysis of the action in "the party who can win...": this sentence describes the performance of the warring parties by grasping the actions of "running", "staying", "swinging round" and "playing", and vividly expounds the characteristics of "dynamic appearance"
5. Main idea:
by introcing the two forms of performance in Peking Opera, the paper expresses the author's love for Peking Opera and his pride in the traditional culture of the motherland
6. Structure diagram:
Legend display
7. Writing characteristics:
this paper is concise in structure, clear in organization, rigorous in argument and convincing. In this paper, the author describes the peculiarities of Peking opera through examples and citations, and makes the argument more specific and persuasive by citing specific examples. The use of citations can enhance the persuasiveness and authority of the argument, enhance the argumentation and interest, and attract readers' interest in reading.
5. Peking Opera, once known as Ping opera, also known as Luantan opera and national opera, is one of the five major operas in China. It is regarded as the quintessence of Chinese culture and ranks first among the top three Chinese operas. It is the intangible cultural heritage of China and the world. The layout of Beijing Opera focuses on freehand brushwork, with xipi opera and Erhuang opera as the main tunes, accompanied by huqin, gongs and drums. It is the result of the continuous exchange and integration of the four Hui troupes in the Qing Dynasty, who entered Beijing one after another to cooperate with the Han Opera artists in Hubei Province, and also accepted part of the repertoire, tunes and performance methods of Kunqu Opera and Qinqiang opera. It travels all over the world and is an important medium to introce and spread Chinese traditional art and culture.
6.
The text "interesting talk about Peking Opera" introces the two artistic forms of "horse whip" and "appearance" in the art of Peking Opera in China. At the beginning of the class, Mr. Liu played the video of Peking Opera to let the students have a preliminary understanding that Peking Opera is the most popular opera in China and enjoys a high reputation at home and abroad. Then read the text for the first time and realize the fun of "riding whip" and "appearance"
on the basis of students' interest in Peking Opera, Mr. Liu guides students to read the text, find out the interesting places in Peking Opera, and draw out the key points in the book, such as "the appearance of the horsewhip". First, let students read it well and imagine the pictures, and then play the video clips about "the appearance of the horsewhip" to make students form a visual impact, Let the image of Beijing Opera be deeply imprinted on the students' minds
extended materials
Writing Ideas: to be clear, natural, clear, not messy, to pour into their own thoughts and feelings, or to explore the true meaning of life, or to talk about ideological problems, academic spirit, so that readers are enlightened and ecated. This kind of article has the philosophy, gives the reader the feeling also to be richer
However, we should pay attention to changing the angle of description timely and constantly to make the description more specific and give the readers a sense of subjectivity. To be clear, natural, clear, not messy, to pour their thoughts and feelingsestablish the center, focus on the selection of materials, determine the key points, and arrange the details. When selecting materials, we should pay attention to closely focus on the central idea of the article, and choose authentic, reliable, fresh and interesting materials, so as to make the central idea of the article clearly and profoundly expressed< br />
7.
As the ordinary audience of the common people, why could they have such a strong appreciation of this kind of art at that time
first of all, as the heyday of Peking Opera, its coverage and radiation power were very large at that time, so as a kind of daily entertainment, it was often seen from
but the level of appreciation was high, and those who did not watch Peking Opera probably could not appreciate it
8. From May 15 to 17, 2005, China Academy of traditional Chinese opera hosted the "Symposium on the history, present situation and future of Peking Opera and the discipline construction of Peking Opera", which aroused strong response from many experts and scholars in the field of Peking Opera Research. Because this is a seminar with special significance, its particularity lies in that it not only aims to provide a pure research platform for gathering experts and scholars in related fields to discuss academic issues related to Peking Opera, but also attempts to put forward the title of "Peking Opera" through the holding of this large-scale academic seminar; It means that in the face of all colleagues in the field of Peking Opera Research at home and abroad, China Academy of traditional opera has officially launched the discipline construction plan of "Peking Opera Studies", which will be an important start for the future academic development plan of China Academy of traditional opera. It is a rare academic phenomenon in the field of academic research that an academic seminar undertakes so many functions; This is also the reason why experts and scholars, performing artists and troupe managers in Beijing Opera circles have shown great interest in the seminar
there are many different sources and classifications of subject titles. As far as a branch of a university is concerned, the most common methods of classification are roughly two, or to distinguish by research objects. For example, Chinese can be divided into modern Chinese and ancient Chinese, and Chinese literature can be divided into ancient literature, modern literature and contemporary literature. They study the contents of different periods in the category of Chinese language and literature respectively; Or they can be distinguished by research methods and characteristics, such as macroeconomics, microeconomics and Econometrics in the field of economics. Their research objects can be basically the same. Due to the differences in methods and academic orientation, they obviously form multiple branches. If Peking opera studies as a discipline can be established, its taxonomic basis obviously belongs to the former. Needless to say, it will be a branch of drama Science (called "drama and drama science" according to the discipline set up by the Academic Degrees Committee of the State Council). It will coexist with the basic theoretical research of drama and the research of foreign drama, and it can also intersect with six categories of drama literature, drama stage art, and drama music, And it is different from the special research of other kinds of drama in the field of drama. From this point of view, the subject orientation of Peking Opera is very clear in theory
If Peking Opera is likely to be established as a branch of drama studies, the importance of Peking Opera in the field of Chinese drama, especially its unique position in the practical development of Chinese drama since the 20th century, determines that Peking Opera is likely to become a prominent Science in the academic field of drama. The emergence of Peking Opera, as a branch discipline, will further promote the special research of other types of Chinese drama, and stimulate the special research of Kunqu Opera, Qinqiang opera, Sichuan Opera, Cantonese opera, Yueju Opera and other influential types of drama, It is easy to form a relatively independent academic division
it is precisely because of the special status and importance of Peking Opera in Chinese drama and even in Chinese culture as a whole that it has become a very serious academic research event to put forward such a branch as "Peking Opera Studies" and promote the construction plan of this discipline
if we look at the subject title, the Peking opera study under construction can be called a "new" subject. The continuous emergence of new disciplines is an eye-catching academic phenomenon in the field of academic research in recent years. Whether it is a large number of so-called "interdisciplinary" in the mid-1980s, or the recent regional disciplines focusing on local cultural phenomena, there are many advocates. However, the formation of discipline is a natural process. Whether a discipline is really formed or not can not be measured by whether someone has formally put forward the title of the discipline. Even if the proponents have made a specific definition of the connotation and outer edge of the discipline, it can not meet the sufficient conditions for the establishment of the discipline. The real requirement for the establishment of a discipline lies in that it must be naturally recognized by people inside and outside the instry. Therefore, when a discipline matures and when a branch discipline within a university discipline is relatively independent from its subject can not be set by human beings. More importantly, the formation of a discipline requires a considerable number of important research achievements recognized by the academic community and sustainable research projects and topics as support, and graally forms an academic group with this discipline as the main research direction. Looking back at many so-called "new disciplines" and "interdisciplinary" which were very popular in the 1980s, because they do not have the above conditions, Even if we have the reverie of discipline construction when the advocators raise their arms, it can only be sensational in the end, and the so-called "new discipline" has its name but no reality
the current situation of Peking opera studies can not be confused with such "new disciplines". Over the past two hundred years since the birth of Peking Opera, there have been numerous literatures on Peking Opera Research. Even in recent decades when Peking Opera has become the object of modern academic research, it is difficult to count the special research achievements since Qi Rushan. In the field of contemporary Chinese drama research, the achievements of Peking Opera Research, both in quantity and quality, are far more than those of any other kind of drama. Its research tentacles have also gone deep into the literature, music, performance, stage art and other aspects of Peking Opera. Moreover, since modern times, especially since the establishment of the Chinese Academy of traditional opera, which is characterized by Peking Opera Research and teaching, a considerable number of senior scholars have long been engaged in specialized research in the field of Peking Opera, forming a considerable group of specialized researchers; In addition to this relatively concentrated group of people, over the years, many people have been engaged in Peking Opera Research in Beijing, other cities in China, including Taiwan, Japan, Europe, America and Australia, various art research institutions under the Ministry of culture, and universities, Every year, there are many postgraates who take Peking Opera Research as the topic of their doctoral dissertations, which shows that the academic connotation and value of Peking opera research have long been widely recognized in the academic circles at home and abroad. There is no doubt about the influence and importance of the research on the history and theory of Peking Opera in the important academic field of Chinese drama research. However, the reason why the research on Peking Opera has attracted the attention of academic circles and aroused the interest of many scholars at home and abroad is not limited to this. In addition to the research value of Peking opera itself, on the one hand, Peking Opera represents the most concentrated development path and achievements of Chinese drama in the 20th century, and on the other hand, Peking Opera has played an extraordinary important role in the process of modern and contemporary society in China, Because of the significance beyond the drama itself and even beyond the pure artistic level, it has been greatly expanded
therefore, the academic title of "Peking Opera" is not a sudden idea, nor a desire to start a discipline from scratch. It is just a conscious construction of a new discipline, with the help of the University, a special organization combining teaching and research, to better integrate and promote the development of Peking opera Improve and enhance the existing academic field of Peking Opera Research. It does not seek the effect of breaking the sky, but is closer to a new academic strategy. Based on this consideration, it is not difficult for us to understand why the Chinese Academy of traditional opera did not rush to define the connotation and extension of Peking Opera in theory and concept when it proposed the construction of Peking Opera. For a discipline like Peking Opera, it is important to determine its connotation and extension. However, it is precisely because Peking opera research has made considerable achievements and scale both in the past and at present that its existence has long been an indisputable reality. Therefore, it is a more important and urgent task for discipline construction, Instead of thinking "what is Peking Opera" or "what should Peking Opera scholars study" in a scholarly way, we should focus more on providing a relatively independent disciplinary framework for scholars in related fields, hoping to be based on the existing solid research foundation in the future development process, Generation after generation of researchers and new research results naturally fill its content, and promote this branch of discipline to stand on the academic forest clearly and healthily
of course, this does not mean that in terms of the discipline construction of Peking Opera, the Chinese Academy of traditional opera, which is striving to advocate and promote the development of this discipline, will wait for Peking Opera to become independent and mature. As a matter of fact, the main reason why the seminar on the discipline construction of Peking Opera has aroused strong repercussions in the field of Peking opera research is not because of how exciting the title of the discipline is, but more because scholars have adopted this measure, Clearly see the Chinese Academy of traditional opera decided to Peking Opera as the leading direction of academic development of this academic consciousness. Because the consciousness of discipline construction will contribute to the development of Peking opera research towards a more systematic and complete direction. If the research object of Peking Opera, which is rich in connotation and involves a wide range of aspects, can not consider the systematicness and integrity of the research, its research results will easily become a mess. For example, there are more than 300 types of Chinese drama, including Beijing opera. At least more than 100 types of Chinese drama have historically formed their own relatively complete and independent music tune system, repertoire system and performance technique system. However, for a long time, the research on these three complementary systems by different types of drama has always been biased, including the accumulation of data, There are also very obvious differences. For example, in the early 1950s, tens of thousands of Peking Opera and local opera repertoires were collected and collated, but the collection and collation of music data of various operas are far less important than that of repertoires, and the accumulation of information on performing arts is even more serious. Obviously, no matter which aspect of the research and lack of data accumulation, are enough to affect today's and future generations for the complete and accurate understanding and grasp of the research object. Even in terms of performing arts, the study of different professions and even different schools will be extremely unbalanced e to the role of many accidental factors. Some professions and schools may receive more attention, while the equally important professions or schools may be unnecessarily ignored or even completely lack of research, resulting in the study of drama being limited to one end. Of course, academic research needs to give all researchers full freedom of choice, but if we consider the integrity and systematicness of research at the same time, we need influential and academically conscious academic institutions to prevent all kinds of biases through organized and more objective comprehensive research
one aspect is to organize and integrate Peking opera studies through some kind of academic consciousness, while it is equally important to promote the in-depth study of core subjects through universities, the most important academic research institutions in modern society
although there are many achievements in the study of Peking Opera, there is still a long way to go in the discipline construction of Peking opera studies. In addition to the research on different aspects of Peking Opera is not balanced, there are many new research areas worthy of efforts, such as scholars
there are many different sources and classifications of subject titles. As far as a branch of a university is concerned, the most common methods of classification are roughly two, or to distinguish by research objects. For example, Chinese can be divided into modern Chinese and ancient Chinese, and Chinese literature can be divided into ancient literature, modern literature and contemporary literature. They study the contents of different periods in the category of Chinese language and literature respectively; Or they can be distinguished by research methods and characteristics, such as macroeconomics, microeconomics and Econometrics in the field of economics. Their research objects can be basically the same. Due to the differences in methods and academic orientation, they obviously form multiple branches. If Peking opera studies as a discipline can be established, its taxonomic basis obviously belongs to the former. Needless to say, it will be a branch of drama Science (called "drama and drama science" according to the discipline set up by the Academic Degrees Committee of the State Council). It will coexist with the basic theoretical research of drama and the research of foreign drama, and it can also intersect with six categories of drama literature, drama stage art, and drama music, And it is different from the special research of other kinds of drama in the field of drama. From this point of view, the subject orientation of Peking Opera is very clear in theory
If Peking Opera is likely to be established as a branch of drama studies, the importance of Peking Opera in the field of Chinese drama, especially its unique position in the practical development of Chinese drama since the 20th century, determines that Peking Opera is likely to become a prominent Science in the academic field of drama. The emergence of Peking Opera, as a branch discipline, will further promote the special research of other types of Chinese drama, and stimulate the special research of Kunqu Opera, Qinqiang opera, Sichuan Opera, Cantonese opera, Yueju Opera and other influential types of drama, It is easy to form a relatively independent academic division
it is precisely because of the special status and importance of Peking Opera in Chinese drama and even in Chinese culture as a whole that it has become a very serious academic research event to put forward such a branch as "Peking Opera Studies" and promote the construction plan of this discipline
if we look at the subject title, the Peking opera study under construction can be called a "new" subject. The continuous emergence of new disciplines is an eye-catching academic phenomenon in the field of academic research in recent years. Whether it is a large number of so-called "interdisciplinary" in the mid-1980s, or the recent regional disciplines focusing on local cultural phenomena, there are many advocates. However, the formation of discipline is a natural process. Whether a discipline is really formed or not can not be measured by whether someone has formally put forward the title of the discipline. Even if the proponents have made a specific definition of the connotation and outer edge of the discipline, it can not meet the sufficient conditions for the establishment of the discipline. The real requirement for the establishment of a discipline lies in that it must be naturally recognized by people inside and outside the instry. Therefore, when a discipline matures and when a branch discipline within a university discipline is relatively independent from its subject can not be set by human beings. More importantly, the formation of a discipline requires a considerable number of important research achievements recognized by the academic community and sustainable research projects and topics as support, and graally forms an academic group with this discipline as the main research direction. Looking back at many so-called "new disciplines" and "interdisciplinary" which were very popular in the 1980s, because they do not have the above conditions, Even if we have the reverie of discipline construction when the advocators raise their arms, it can only be sensational in the end, and the so-called "new discipline" has its name but no reality
the current situation of Peking opera studies can not be confused with such "new disciplines". Over the past two hundred years since the birth of Peking Opera, there have been numerous literatures on Peking Opera Research. Even in recent decades when Peking Opera has become the object of modern academic research, it is difficult to count the special research achievements since Qi Rushan. In the field of contemporary Chinese drama research, the achievements of Peking Opera Research, both in quantity and quality, are far more than those of any other kind of drama. Its research tentacles have also gone deep into the literature, music, performance, stage art and other aspects of Peking Opera. Moreover, since modern times, especially since the establishment of the Chinese Academy of traditional opera, which is characterized by Peking Opera Research and teaching, a considerable number of senior scholars have long been engaged in specialized research in the field of Peking Opera, forming a considerable group of specialized researchers; In addition to this relatively concentrated group of people, over the years, many people have been engaged in Peking Opera Research in Beijing, other cities in China, including Taiwan, Japan, Europe, America and Australia, various art research institutions under the Ministry of culture, and universities, Every year, there are many postgraates who take Peking Opera Research as the topic of their doctoral dissertations, which shows that the academic connotation and value of Peking opera research have long been widely recognized in the academic circles at home and abroad. There is no doubt about the influence and importance of the research on the history and theory of Peking Opera in the important academic field of Chinese drama research. However, the reason why the research on Peking Opera has attracted the attention of academic circles and aroused the interest of many scholars at home and abroad is not limited to this. In addition to the research value of Peking opera itself, on the one hand, Peking Opera represents the most concentrated development path and achievements of Chinese drama in the 20th century, and on the other hand, Peking Opera has played an extraordinary important role in the process of modern and contemporary society in China, Because of the significance beyond the drama itself and even beyond the pure artistic level, it has been greatly expanded
therefore, the academic title of "Peking Opera" is not a sudden idea, nor a desire to start a discipline from scratch. It is just a conscious construction of a new discipline, with the help of the University, a special organization combining teaching and research, to better integrate and promote the development of Peking opera Improve and enhance the existing academic field of Peking Opera Research. It does not seek the effect of breaking the sky, but is closer to a new academic strategy. Based on this consideration, it is not difficult for us to understand why the Chinese Academy of traditional opera did not rush to define the connotation and extension of Peking Opera in theory and concept when it proposed the construction of Peking Opera. For a discipline like Peking Opera, it is important to determine its connotation and extension. However, it is precisely because Peking opera research has made considerable achievements and scale both in the past and at present that its existence has long been an indisputable reality. Therefore, it is a more important and urgent task for discipline construction, Instead of thinking "what is Peking Opera" or "what should Peking Opera scholars study" in a scholarly way, we should focus more on providing a relatively independent disciplinary framework for scholars in related fields, hoping to be based on the existing solid research foundation in the future development process, Generation after generation of researchers and new research results naturally fill its content, and promote this branch of discipline to stand on the academic forest clearly and healthily
of course, this does not mean that in terms of the discipline construction of Peking Opera, the Chinese Academy of traditional opera, which is striving to advocate and promote the development of this discipline, will wait for Peking Opera to become independent and mature. As a matter of fact, the main reason why the seminar on the discipline construction of Peking Opera has aroused strong repercussions in the field of Peking opera research is not because of how exciting the title of the discipline is, but more because scholars have adopted this measure, Clearly see the Chinese Academy of traditional opera decided to Peking Opera as the leading direction of academic development of this academic consciousness. Because the consciousness of discipline construction will contribute to the development of Peking opera research towards a more systematic and complete direction. If the research object of Peking Opera, which is rich in connotation and involves a wide range of aspects, can not consider the systematicness and integrity of the research, its research results will easily become a mess. For example, there are more than 300 types of Chinese drama, including Beijing opera. At least more than 100 types of Chinese drama have historically formed their own relatively complete and independent music tune system, repertoire system and performance technique system. However, for a long time, the research on these three complementary systems by different types of drama has always been biased, including the accumulation of data, There are also very obvious differences. For example, in the early 1950s, tens of thousands of Peking Opera and local opera repertoires were collected and collated, but the collection and collation of music data of various operas are far less important than that of repertoires, and the accumulation of information on performing arts is even more serious. Obviously, no matter which aspect of the research and lack of data accumulation, are enough to affect today's and future generations for the complete and accurate understanding and grasp of the research object. Even in terms of performing arts, the study of different professions and even different schools will be extremely unbalanced e to the role of many accidental factors. Some professions and schools may receive more attention, while the equally important professions or schools may be unnecessarily ignored or even completely lack of research, resulting in the study of drama being limited to one end. Of course, academic research needs to give all researchers full freedom of choice, but if we consider the integrity and systematicness of research at the same time, we need influential and academically conscious academic institutions to prevent all kinds of biases through organized and more objective comprehensive research
one aspect is to organize and integrate Peking opera studies through some kind of academic consciousness, while it is equally important to promote the in-depth study of core subjects through universities, the most important academic research institutions in modern society
although there are many achievements in the study of Peking Opera, there is still a long way to go in the discipline construction of Peking opera studies. In addition to the research on different aspects of Peking Opera is not balanced, there are many new research areas worthy of efforts, such as scholars
9. In today's Peking Opera, the most talked about topic is probably its & quot; Crisis & quot; It's too late. In fact, as a kind of art, it has no crisis in itself. The problem is to think about its relationship with today's society
before I took the elective course of Peking opera appreciation, I was not a fan of Peking Opera. Although I am not a pure fan now, at least some of my views on Peking opera have changed. Perhaps with the progress of society, people's entertainment has sprung up. Behind the prosperity, Peking Opera is no longer the only choice for people. Nevertheless, after hundreds of years of opera art has its own unique charm
first of all, Beijing Opera captures people's demand for entertainment. Qian Mu, a famous scholar, has some comments on his spirit of entertainment: the western drama should be realistic, the action of speaking should be close to the reality, and the drama should not be separated from life. But Chinese opera is a game. In order to get away from reality, Chinese Peking Opera makes life as a picture, dance and music. Because Chinese people are serious about life, and drama teaches relaxation and liberation. Indeed, Beijing opera can amuse people as well as ourselves. My grandfather will sing such a passage when he is happy. If there were no Peking Opera, there would be so many stories and so many beautiful poems in ancient China, which could only be put on the desk of literati. The emergence of Peking Opera brings truth, goodness and beauty to people, teaches people to be loyal and virtuous, and castigates the evils of corruption and vice. The characters in Beijing opera have a strong appeal. Opera is like a character, and life is like a play. In this respect, Peking Opera can combine ecation with entertainment
the charm of Beijing Opera is difficult to outline with a few points. Its singing is sometimes vigorous and vigorous, and sometimes beautiful and pleasant; Its dance is simple and vivid, and even a look is full of charm; Facial makeup is a significant symbol of fine arts. Black, red, blue and blue all reflect the understanding and shaping of characters. Compared with Western dramas, Beijing opera does not need complicated sets and props. One table and two chairs are enough. Not only does it not feel simple, it only needs to change the arrangement of tables and chairs to show the changes of scenes, which provides conditions for the changes of time and space in Beijing opera. For example, the performance of a whip and a paddle in Peking Opera is no less than that of a real horse and boat. Even the delicate movements of the characters are vivid, and the rap and chanting in Beijing Opera directly give people visual pleasure. Although I like the melody of American pop music and I like to watch Caiwu movies, it doesn't prevent me from approaching Beijing opera. I can close my eyes to appreciate it, appreciate the sad and happy life, cry and laugh with the people in the play; I can also hide in Beijing Opera when I am tired of worldly life and seek a good recipe for true feelings to cleanse my soul. Beijing opera, as an art form, its development road is full of our nation's creative passion, but also shows the characteristics of the Chinese nation: frankness, enthusiasm, optimism and upward. Now is not the old age of Peking Opera, because Peking Opera is never old, and it has many potential in its life. It will continue to go on in a vigorous manner, and no other art can take its place. What I want to say is, young friends, don't say that you don't like Peking Opera. That's because you don't know it. Please go near it. You will find that Peking Opera is very beautiful.
before I took the elective course of Peking opera appreciation, I was not a fan of Peking Opera. Although I am not a pure fan now, at least some of my views on Peking opera have changed. Perhaps with the progress of society, people's entertainment has sprung up. Behind the prosperity, Peking Opera is no longer the only choice for people. Nevertheless, after hundreds of years of opera art has its own unique charm
first of all, Beijing Opera captures people's demand for entertainment. Qian Mu, a famous scholar, has some comments on his spirit of entertainment: the western drama should be realistic, the action of speaking should be close to the reality, and the drama should not be separated from life. But Chinese opera is a game. In order to get away from reality, Chinese Peking Opera makes life as a picture, dance and music. Because Chinese people are serious about life, and drama teaches relaxation and liberation. Indeed, Beijing opera can amuse people as well as ourselves. My grandfather will sing such a passage when he is happy. If there were no Peking Opera, there would be so many stories and so many beautiful poems in ancient China, which could only be put on the desk of literati. The emergence of Peking Opera brings truth, goodness and beauty to people, teaches people to be loyal and virtuous, and castigates the evils of corruption and vice. The characters in Beijing opera have a strong appeal. Opera is like a character, and life is like a play. In this respect, Peking Opera can combine ecation with entertainment
the charm of Beijing Opera is difficult to outline with a few points. Its singing is sometimes vigorous and vigorous, and sometimes beautiful and pleasant; Its dance is simple and vivid, and even a look is full of charm; Facial makeup is a significant symbol of fine arts. Black, red, blue and blue all reflect the understanding and shaping of characters. Compared with Western dramas, Beijing opera does not need complicated sets and props. One table and two chairs are enough. Not only does it not feel simple, it only needs to change the arrangement of tables and chairs to show the changes of scenes, which provides conditions for the changes of time and space in Beijing opera. For example, the performance of a whip and a paddle in Peking Opera is no less than that of a real horse and boat. Even the delicate movements of the characters are vivid, and the rap and chanting in Beijing Opera directly give people visual pleasure. Although I like the melody of American pop music and I like to watch Caiwu movies, it doesn't prevent me from approaching Beijing opera. I can close my eyes to appreciate it, appreciate the sad and happy life, cry and laugh with the people in the play; I can also hide in Beijing Opera when I am tired of worldly life and seek a good recipe for true feelings to cleanse my soul. Beijing opera, as an art form, its development road is full of our nation's creative passion, but also shows the characteristics of the Chinese nation: frankness, enthusiasm, optimism and upward. Now is not the old age of Peking Opera, because Peking Opera is never old, and it has many potential in its life. It will continue to go on in a vigorous manner, and no other art can take its place. What I want to say is, young friends, don't say that you don't like Peking Opera. That's because you don't know it. Please go near it. You will find that Peking Opera is very beautiful.
10. Please take the main content seriously. If you are satisfied, I will give you 40 points. I will not be stingy. Thank you. The following is the main content of Peking Opera:
Peking opera
Peking Opera is a kind of opera that spreads all over the country. In foreign countries, it often represents the art of Chinese opera, so it is also known as "National Opera". Because Beijing Opera mainly has "Erhuang" and "xipi", people used to call it "Erhuang" and "pihuang"
there are many kinds of local operas in China. Why has Peking Opera become a representative opera? It has a history. Beijing Opera comes from four local operas: first, Anhui opera, which was popular in Anhui Province; Second, Han Opera popular in Hubei; Third, Kunqu Opera is popular in Jiangsu; Fourth, Qin opera, also known as Bangzi, is popular in Shaanxi Province. Hui opera is the foundation of Beijing opera. In 1790, the 55th year of Emperor Qianlong of the Qing Dynasty, in order to celebrate the 80th birthday of Emperor Qianlong, Gao langting, a singer of Erhuang, followed the "Sanqing" Hui troupe to perform in Beijing. He was soon liked by the people of Beijing and the royal family. Later, many Hui opera artists came to Beijing. Hui opera and Han Opera, Kunqu Opera and Qinqiang opera, which came to Beijing from Hubei, Jiangsu and Shaanxi provinces, have been exchanging, integrating, evolving and optimizing with each other. Finally, they gather together to form Beijing Opera with high artistic charm
Beijing opera has dance, singing, dialogue, martial arts and various symbolic movements, which is a highly integrated art. It focuses on singing, and the different voices of various characters form a unique art of vocal music. Its charm and charm can conquer people, just like football fans, dance fans and movie fans, there are also many fans of Beijing opera
the facial makeup of Peking opera characters has formed a unique art of painting. Peking opera characters are divided into four categories: Sheng, Dan, Jing and Chou“ "Sheng" is a positive male role, which can be divided into Laosheng, Xiaosheng and wusheng“ "Dan" is a positive role for women, which is different from "Qingyi", "laodan", "Huadan" and "madian"“ "Jing" is a male character with distinct personality, "Hualian" is a kind of "Jing", also known as "blackhead"“ "Ugly" is a humorous or negative role, which can be divided into literary clown, martial clown, clown and old clown. Beijing opera has a rough and heroic singing style, so it also has different facial makeup. Such as Bao Gong, Guan Yu and Huang Tianba, you can know who it is by looking at Facebook. Of course, people like monkey king are more familiar
the music accompaniment of Beijing Opera is called "Wenwu Chang". Wenchang refers to orchestral music. String music mainly includes Jinghu, erhu, Yueqin and pipa, while pipe music includes flute, Sheng and suona. Martial arts refers to percussion music, mainly drums, gongs, cymbals, cymbals and so on. In the performance of Beijing opera, the melodious music and the sonorous gongs and drums make you feel like a mountain and a sea for a while and like a small bridge and flowing water for a while. They set off the singing, doing, dancing and singing of the actors, which can really fascinate you
Peking Opera has a long and profound tradition. For a long time, it has formed different genres of role singing, and many outstanding performing artists have emerged. For example, Tan Fuying, Ma Lianliang and Zhou Xinfang sing Lao Sheng, Gai jiaotian and Li Wanchun sing Wu Sheng, and Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng sing Dan roles. Among them, Mei Lanfang has become a world-renowned performing arts master, and is considered as a typical representative of Oriental art beauty. Mei Lanfang has half a century of stage career. He has created Peking opera characters such as Bai Niangzi, Lin Daiyu, Liang Hongyu, Yu Ji, Mu Guiying, Yang Yuhuan, etc., which have become stage images with permanent artistic brilliance
read the text carefully
Peking opera
Peking Opera is a kind of opera that spreads all over the country. In foreign countries, it often represents the art of Chinese opera, so it is also known as "National Opera". Because Beijing Opera mainly has "Erhuang" and "xipi", people used to call it "Erhuang" and "pihuang"
there are many kinds of local operas in China. Why has Peking Opera become a representative opera? It has a history. Beijing Opera comes from four local operas: first, Anhui opera, which was popular in Anhui Province; Second, Han Opera popular in Hubei; Third, Kunqu Opera is popular in Jiangsu; Fourth, Qin opera, also known as Bangzi, is popular in Shaanxi Province. Hui opera is the foundation of Beijing opera. In 1790, the 55th year of Emperor Qianlong of the Qing Dynasty, in order to celebrate the 80th birthday of Emperor Qianlong, Gao langting, a singer of Erhuang, followed the "Sanqing" Hui troupe to perform in Beijing. He was soon liked by the people of Beijing and the royal family. Later, many Hui opera artists came to Beijing. Hui opera and Han Opera, Kunqu Opera and Qinqiang opera, which came to Beijing from Hubei, Jiangsu and Shaanxi provinces, have been exchanging, integrating, evolving and optimizing with each other. Finally, they gather together to form Beijing Opera with high artistic charm
Beijing opera has dance, singing, dialogue, martial arts and various symbolic movements, which is a highly integrated art. It focuses on singing, and the different voices of various characters form a unique art of vocal music. Its charm and charm can conquer people, just like football fans, dance fans and movie fans, there are also many fans of Beijing opera
the facial makeup of Peking opera characters has formed a unique art of painting. Peking opera characters are divided into four categories: Sheng, Dan, Jing and Chou“ "Sheng" is a positive male role, which can be divided into Laosheng, Xiaosheng and wusheng“ "Dan" is a positive role for women, which is different from "Qingyi", "laodan", "Huadan" and "madian"“ "Jing" is a male character with distinct personality, "Hualian" is a kind of "Jing", also known as "blackhead"“ "Ugly" is a humorous or negative role, which can be divided into literary clown, martial clown, clown and old clown. Beijing opera has a rough and heroic singing style, so it also has different facial makeup. Such as Bao Gong, Guan Yu and Huang Tianba, you can know who it is by looking at Facebook. Of course, people like monkey king are more familiar
the music accompaniment of Beijing Opera is called "Wenwu Chang". Wenchang refers to orchestral music. String music mainly includes Jinghu, erhu, Yueqin and pipa, while pipe music includes flute, Sheng and suona. Martial arts refers to percussion music, mainly drums, gongs, cymbals, cymbals and so on. In the performance of Beijing opera, the melodious music and the sonorous gongs and drums make you feel like a mountain and a sea for a while and like a small bridge and flowing water for a while. They set off the singing, doing, dancing and singing of the actors, which can really fascinate you
Peking Opera has a long and profound tradition. For a long time, it has formed different genres of role singing, and many outstanding performing artists have emerged. For example, Tan Fuying, Ma Lianliang and Zhou Xinfang sing Lao Sheng, Gai jiaotian and Li Wanchun sing Wu Sheng, and Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng sing Dan roles. Among them, Mei Lanfang has become a world-renowned performing arts master, and is considered as a typical representative of Oriental art beauty. Mei Lanfang has half a century of stage career. He has created Peking opera characters such as Bai Niangzi, Lin Daiyu, Liang Hongyu, Yu Ji, Mu Guiying, Yang Yuhuan, etc., which have become stage images with permanent artistic brilliance
read the text carefully
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