novel虛擬貨幣

① 需要輕之國度的輕幣，想用人民幣1：200換（幫充Q幣可以，財付通轉也可以），有的請加QQ471117767，標注輕幣

最新熱門小說是要輕比的，但是熱門小說也就是翻譯完之後的小說3個月之後就不要輕比了，可以到小說分享區去下

② 求寒蟬小說

http://www.lightnovel.cn/bbs/viewthread.php?tid=26488&extra=page%3D1-----輕之國度，私人論壇

下載有：

鬼影
棉流
崇殺（上）
崇殺（下）http://www.lightnovel.cn/bbs/viewthread.php?tid=40809&extra=page%3D1
暇潰
http://www.lightnovel.cn/bbs/viewthread.php?tid=43781&extra=page%3D1

因為版權等原因，即便我可以拿到txt文檔，我也不願意直接貼給lz，請理解。

以上鏈接需要注冊，並且需要一定虛擬貨幣.....

但是輕國的論壇並不難混，如果不停把發帖的魅力轉換為輕幣，加上維持50枚輕幣以上就可以每6小時點擊一次廣告獲得25輕幣.......而且這個論壇對於輕小說愛好者來說是值得上的一個bbs....所以......

③ 100幣，求翻譯加解釋。

你好，整句話是「沒有具體的證據去證實」的意思。
on which to draw 中on後面可能省略了一個 the thing，the thing省略不影響句子結構。
因此應該可以看成是一個省略的定語從句

④ 請高手幫忙翻譯一下我論文的中文摘要，非常非常感謝。

Literature is the language used to build a world of the arts, literature and language problems have long been a literary family concerns, but also a great research value of the subject. Based on the concept of modern language, based on a comprehensive study of the method, the difference in style from the perspectives of the language of literature, poetry in-depth study of language and language novels of the differences between the two, as we further study the language of literature to help.

Introction to answer two questions: Why study the language of literature? Why the difference from the genre to examine the difference between literary language. Literature from the perspective of an intermediary, as defined in the language of poetry and stories Language. The language of poetry and fiction to explore the scope of the extension of the language, not limited to the structure of the text, but the proction phase of the literary language, literature and language of the time are included in the solution phase of the study.

Chapter language poetry and fiction in the formation stage of the language difference. The genre has a huge invisible provisions, the author has chosen a novel or poetry, it means that the choice of an entirely different way of words; At the same time, the author of a genius is bound to a specific context, and give full play to their creativity To strive to break through the "genre" of the cage so that they continue to develop and intensify, transform into new forms of art to create a miracle.

Chapter language poetry and fiction version of the external characteristics of the language difference. Learn from Wang Bi's "words, such as Italy," point of view, in the light garden of the British version of the four-level theory, words such as Italy and constitutes a multi-dimensional organic composition of literary texts. Into the difference between external and internal characteristics of the features of the difference between the two aspects to explore. Chapter III of this chapter and is focused on this article.

This chapter from the visual, auditory differences, the length of the three different aspects of the text in two languages to grasp the "statement" this level of distinction.

Chapter III of the language of poetry and stories Language text of the internal characteristics of the difference. In our view, the narrative fiction from the poetry of their "poetic" tradition of independence, and the narrative is lyrical language fiction and poetry of the essential differences between languages. The essential difference from the start, language and poetry from the novel image of the state of different languages, the different structure of the text, language awareness of the different aspects of the three discussed.

Chapter IV of the language of poetry and stories Language Reading in the phase of the difference. Text must be interpreted in accordance with the norms of genre. Reading the reader must first have awareness of the genre, using the methods of reading poetry reading poetry, fiction reading by way of reading novels. Reading poetry to make full use of imagination to grasp the image, waved to imagine the wings to appreciate the mood to create poetry, poetry would need God. Reading the novel to start with figures closely. Reading the novel also need to imagine, but need to read the novel "imagined reality" and the poetry reading of "non-realistic to imagine" a clear difference.

The development of the Western Literary Theory has been more or less from the author - work - readers in the process, the current rise of cultural studies. We are against this background that an integrated approach, the above three areas to explore, in-depth attempt to grasp the language of poetry and fiction inherent differences in language and literature through the language of the "prototype" of the literary language have a better understanding .

⑤ 求電影烈焰焚幣的原著小說

這是某看過原著小說的人在某論壇留的言：

這兩天正在看Burnt Money的原著小說。因為電影是根據真實事件改編，小說也算是個途徑了解整個事件的發生經過。不過看了真是大失所望啊！！！

奉勸沒有看過小說的人最好不要去看，不然真是失望的很. Angel 本人在現實中並沒有和Nene死在最後的一幕中，他不但沒有死，而且還逃過了死刑，原因是他頭腦里的聲音說明他有精神分裂。最後更是讓人氣結，他居然死於一次監獄暴動，被獄警開槍鎮壓時打死。哎，不知道Nene離開之後是什麼支撐他活著的。。。。

小說主要是敘述事件，沒有寫太多兩個人之間的感情。一些劇情和電影有出入。而且小說的作者是采訪了很多的當事人，翻查了很多當時的資料，包括法庭的紀錄。因此小說所描寫的大概就是事件的原貌。

看來還是電影拍的好啊。加入了那麼多細膩的感情，以及演員的演繹，使人為之動容。

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烈焰焚幣的詳細內容：

英文片名：Burnt Money
中文譯名：烈焰焚幣
導 演：馬切洛·平尼若 Marcelo Pineyro
編 劇：Marcelo Figueras
Ricardo Piglia(novel)
主 演：Eardo Noriega .... Ángel
Leonardo Sbaraglia .... El Nene
Pablo Echarri .... El Cuervo
Leticia Brédice .... Giselle
Ricardo Bartis .... Fontana
Dolores Fonzi .... Vivi
Carlos Roffé .... Nando
Daniel Valenzuela .... Tabaré
Héctor Alterio .... Losardo
Claudio Rissi .... Relator
Luis Ziembrowsky .... Florian Barrios
Harry Havilio .... Carlos Tulian
Roberto Vallejos .... Parisi
Adriana Varela .... Cantante Cabaret
類 型：動作/劇情/驚悚/犯罪
級 別：Argentina:18 / Chile:18 / France12 / Spain:18 / USA:R / South Korea:18
國 別：France / Spain / Argentina / Uruguay
片 長：125分鍾
地 區：阿根廷
語 言：西班牙語
色 彩：彩色
年 份：2000

獲獎狀況：獲得阿根廷影評協會最佳改編劇本獎
西班牙戈雅獎最佳外國影片
哈瓦那電影節最佳攝影、錄音獎

1965年。阿根廷。一堆銀紙與一對銀行大盜。綽號「大細孿」的蘭尼和安仔，行事缺一不可，形影不離。一次打劫作案，安仔受傷，為要逃過追捕，二人惟有展開一段逃亡之旅，可是二人的關系亦於逃亡時決裂……

阿根廷曾經奪得票房冠軍的同性戀電影：《烈焰焚幣》（PlataQuemada）。這部電影以阿根廷六十年代兩個專門打劫銀行的盜匪真實故事為基礎，表現了這些打家劫舍、殺人不眨眼的江洋大盜的俠骨柔情，淋漓酣暢、盪氣回腸地展示了陽剛之美。

安桀爾和納呢是一對盜匪，兩人一樣的英俊酷帥，外人都以為他們是雙胞胎，但他們不是骨肉相連的兄弟，而是生死相依的戀人。安傑爾是一個虔誠的天主教徒，有一天，他在冥冥中聽到神的召喚，對這種逾越宗教規范的愛情充滿了犯罪感，開始疏離納呢，兩人感情出現危機。緊接著，兩兄弟接到一個打劫銀行的計劃。安傑爾為了斬斷納呢對他藕斷絲連的情懷，納呢則希望通過再一次合作能挽回安傑爾的心，所以兩人都接受並全力投入了這場打劫行動。在逃亡過程中，伴隨著對生死未卜的忐忑，是兩人對愛的不斷追求和拒絕。絕望的納呢在影院、公廁流連，跟男人做愛，甚至去嫖妓女，企圖忘卻安傑爾，但是「抽刀斷水水更流」。最後他們反而在這個妓女告發下被軍警包圍。兩人突圍不成，最後把打劫來的百萬美元通通燒光，兩人在烈焰中相擁自盡，畫面極為壯美。電影意味深長地顯示男女之愛充滿奸詐，而只有同性之間的愛才最忠誠。

這部片其實是傳統的商業片，其成功之處在於他們運用傳統的警匪片形式包裝同性戀題材，打破了同性戀／異性戀的二元分界，堂堂正正在主流電影市場上上演，而不是象那些美國同性戀電影那樣，一邊鼻涕一把淚一把地訴說同性戀不被主流社會「理解」的可憐，另一邊卻又力圖宣揚一種跟主流社會價值觀念格格不入的施虐／受虐的所謂同性戀美學（gayness），自我設限，劃地為牢，因而始終走不出顧影自憐的同性戀圈子，如此惡性循環，把同性戀解放運動引進商業盈利的死胡同。